17.1. Club V

fin

The Trace, End and Embrace of Capitalism

Fri 17.1.2025 at 19.30 at Alakulttuuritila Alimus

Tickets 30e / 15e / 5e / solidarity tickets

The Invasive Species Club will leave its last trace in the embrace of Alakulttuuritila Alimus in January 2025. The final evening of the club series will examine the traces of capitalism in society, the arts and the artist’s soul, reflect on the future of post-fossilism and the inevitable end of overconsumption, and glance towards for the cockroach-like survival of the arts and the artist.

Our world of consumption is roaring towards at least some kind of end and a midway point. Will the communist space aliens finally take over our planet? Who will I choose for my personal hunter-gatherer pack? And what will happen to shareholder dividends?

The warm, soft, sticky and suffocating embrace of capitalism is everywhere, it does not ask for consent and it seems impossible to break away from. Like a classic toxic relationship, Our Beloved Capitalism makes us live only for it, and life without it seems impossible. The Invasive Species Club is desperately trying to struggle for a looser feel in capitalism’s embrace and instead find a gentler embrace in its place.

When the overconsumption society as we know it comes to an end, some forms of contemporary culture and art will surely also come to an end – some of which we remember with fondness, but certain aspects of the art business will leave the universe with bated breath. Knowing the pace of change in the arts world, the anticipation makes us dizzy.

It is entirely possible that the club offers survival tools for life after capitalism, but they should be used and tried at home with precaution and at your own responsibility.


Following the footsteps of capitalism with us in Alimus are the performers listed below.

spoken programme

Anna Kontula, speech

Katri Jurvakainen, speech

Vishnu Vardhani Raja, MC, perfomance

music and performance

Saxtronauts

Anna-Sofia Anttonen
Nanna Ikonen
Naoko Lammi
Jaime Estévez Moreira (in place of Sikri Lehko)

– Lauri Supponen: Ave Maris Stella, part 1. Field research
– Meriheini Luoto: Talviunia ja Kevät kuohuu ja kohisee
– Mioko Yokoyama: Tetra-Alloy
– J. S. Bach: Italian Concerto BWV 971, 3. osa

Adonina Se-La-Vii

Iida Savolainen, viola
Miko Kivinen

Kai Zombie (Ritni Tears), drag king

Aino Savolainen, contemporary circus artist

András Nádasi, sound design

Pekka Kuusisto, harmonium

accessibility

The accessible entrance directly to the venue is on the Pengerkuja side. From the main entrance, you can ask the staff to open the accessible entrance. The shortest way to the accessible entrance is a steep downhill slope, which can be accessed by car. A less steep route to the door goes further around.

There is one accessible toilet downstairs in the venue.

Alimus is close to Sörnäinen metro station and several bus and tram stops.

There is a guarded cloakroom at the entrance.

The club’s programme of speeches and songs is mainly translated into Finnish and English. Translations will be available with separate instructions on site.

Read more (scroll down for English): alimus.fi/alakulttuuritila-alimus-accessibility-and-accessibility-data/

performers

(c)

Anna Kontula

is a sociologist, writer, Member of Parliament for the Left Alliance and member of the Pirkanmaa Regional Council, living in Valkeakoski. She is known for challenging mainstream thinking, especially in debates on class, power structures, changes in working life, human rights, feminism and substance abuse policy. In recent years, environmental and animal issues have become central to Anna’s policy work.

(c) Ørjan Marakatt

Kai Zombie

Behind Kai is Sámi multidisciplinary artist, storyteller and drag performer Ritni Tears aka Ritni Ráste Pieski. They are interested in decoloniality, community, radical dreaming, queering and humour. Pieski’s most recent works include Indigenous Drag Excellence XXL and Girjái – a decolonial queer utopia.

(c) Marjo Tynkkynen

Iida Savolainen

Adonina Se-La-Vii, known as K.Ä.P.Y. (Cosmic Infinite Planetary Union) brings a piece of intergalactic musical tradition for the audience to marvel at. Based on the principle of intergalactic appropriation, the performance explores the blurred boundaries between the familiar and the unknown, between us and them, between meaningfulness and meaninglessness. // Adonina is the escapist and super-powered alter ego of folk musician Iida Savolainen, whose guest on stage is the super-powered escapist Miko Kivinen.

(c) –

Vishnu Vardhani Rajan

is a Body-Philosopher based in Helsinki (born and raised in Hyderabad, India). A hyphenated identity, multidisciplinary practices, building connections between art, science, witchcraft, history and cultures define them. Sleep Night politics, conflict-presence, nutrition for queer food politics and mental health are recurring themes in their work. Vishnu is scripting a performance ’Schizophrenia as a methodology’ and developing ’kata’ a collective for narrative practices and Re-authoring.

(c) Einar Kling Odencrants

Aino Savolainen

is a contemporary circus artist (they/she), working at the interface of art and activism, exploring the possibilities of new spaces and collaborative practices. In their performance, Aino processes hyper-individualism, letting go and sensitivity as a resource.

(c) Heli Blåfield

Saxtronauts

is a touring saxophone ensemble that brings diverse art music to audiences of all kinds, also in unusual places. The Saxtronauts Anna-Sofia Anttonen, Nanna Ikonen, Nanako Lammi and Sikri Lehko arrange works from different periods, commission new music and perform original works composed for saxophone. The saxophone is their instrument for exploring the universe.

(c) Bård Gundersen

Pekka Kuusisto

is a questioner and knocker-up in the classical music industry. With the unexplored sound layers of a lounge harmonium, Pekka will prepare the club crowd for the underground.

(c) Jenniina Pennanen

Katri Jurvakainen

is a member of the Vita nuova writers’ collective and a PhD researcher in the philosophy of education. She studies the cultivation of desires as a factor that sustains capitalism and as an opportunity to overcome it. She asks in what ways our desires are produced in directions that support the destructive capitalist social order, and how the cultivation of desires could help challenge that same order.

(c) Terhi Haart

Miko Kivinen

mixes genres and moods in his plays in a wild and cheeky way. Family life, gender roles and middle-class scenery are thrown into a wild spin, often with grotesque but always memorable results.

(c) –

András Nádasi

has worked extensively in the field of sound, including electronic music, film soundtracks and as a DJ. For Aino Savolainen’s acrobatic performance, he creates a soundscape that draws from the above-mentioned fields, including utopian synthesizer sounds and distant field recordings.

(c) –

Wilhelm Blomberg

is crawling. A timeless messenger arrives with a headlamp blazing from the bosom of the earth, channelling the concern and persistence of British activists to the carefree and nonpersistent Finns.

(c) Jaakko Uljas

Kaisamaija Uljas

is in a state of constant despair and rage, with or without their lute.

(c) Cata Portin

Eriikka Maalismaa

and their violin are in a constant career and identity crisis.

(c) Max Rantil

Elissa Shaw

is a producer for life, zigzagging through the bogs between hope and despair.